Searching for Shona and children's books about the Evacuation

The painting of the ruined Victorian house in last week's Middle Grade Gallery is from Searching for Shona, by Margaret J. Anderson (Knopf, 1978), a recently rediscovered childhood favorite.  After Marjorie and Shona trade places on the train platform in Edinbugh, Marjorie is evacuated to Canonbie.  She and another orphan, Anna Ray, are billeted with the Miss Campbells, middle-aged identical twins who own a dress shop.  Marjorie and Anna find the house in the painting, empty (although not yet in ruins) save for a cozy playroom in the turret.  Clairmont House becomes a refuge for them until the army requisitions it to house soldiers, and by the end of the war, the house is as the artist depicted it in the painting.

How is the painting connected to Shona?  I don't want to give it away--if a middle grade novel about two girls, one from a privileged background (Marjorie) and another with only one clue about her family (Shona), trading places during the evacuation appeals to you (don't forget the abandoned house and the identical twin sisters, either), you really should try to find a copy of Searching For Shona.  I will say that Shona's father, like John Piper (whose work I featured in the original post), turns out to have been a war artist.  But there's more to the story than that, and it's all very satisfying.

Unfortunately, I didn't get many (any) other recommendations of children's books about the evacuation.  Anna Hebner noted that in C.S. Lewis's The Lion, The Witch, and the Wardrobe (1950), the four Pevensie children are evacuated from London to the Professor's country house (Lewis himself took in evacuees at his house in Oxford).  A Tale of Time City by Diana Wynne Jones (1987) also begins with the main character's evacuation from London, although she only makes it as far the train station (this one's out of print, and Charlotte doesn't like it anyway).

As for realistic fiction, The Children's War (a blog dedicated to books written for children and young adults about WWII) has a review of In Spite of All Terror by Hester Burton (1968), and I'm looking for a copy of that one now.

But the books about the evacuation I most want to read are (perhaps not surprisingly) by Noel Streatfeild.  The first is Saplings (1945), a novel for adults about the devastating effects of the war on a middle-class family with four children.  It's available in a gorgeous Persephone Books edition (have you heard of Persephone Books?) and sounds very depressing. The second is When the Siren Wailed (1974), a children's book written at considerably more remove from the war itself, and in which three working-class children are evacuated from London.  The original edition was illustrated by Margery Gill and thankfully, it ends happily.

[See the comments for more suggestions.]

Physik

The portrait of Queen Etheldredda, known as the Awful, and her Aie-Aie featured in last week's Middle Grade Gallery is from Septimus Heap, Book Three: Physik by Angie Sage (Katherine Tegen Books, 2007).  When Silas Heap breaks the 500-year old Seal on the attic, the ghosts of the Queen and her pet step out of the portrait and proceed to wreak havoc.  Queen Etheldredda has a plan to give herself eternal life that sends Septimus back in time to serve the Queen's son Marcellus Pye, Alchemist and Physician; and the Aie-Aie spreads Sicknesse throughout the palace.

As for the portrait, we learn that the Queen was Entranced into it by none other than Marcellus, and eventually they're both (Queen and portrait; Aie-Aie, too) consumed by a Fyre.  I suppose this was necessary, but I hate to think of her official portrait being lost.  There was nothing magical about it, after all.

The books in the Septimus Heap series are the sort of fantasy novels that are pure pleasure for younger middle grade readers especially.  They're almost overstuffed with characters and creatures and spells of all sorts.  We listened to the first one, Magyk, which is beautifully read (for 12 hours!) by Allan Corduner, thus avoiding the capitalized, bolded, and magykally-spelled words in the printed text.  The chapter headings in the books themselves are nicely illustrated by Mark Zug, though; here is his rendering of Queen Etheldredda's portrait (scanned from the paperback).  Elizabethan, wouldn't you agree?

Masterpiece

The drawing of the lady and the lion featured in last week's Middle Grade Gallery is from Masterpiece by Elise Broach (Henry Holt, 2008; this is the cover of the paperback edition, SquareFish, 2010).  It's a invented work of art by a real artist, Albrecht Dürer. I chose Dürer's Stag Beetle to accompany the original post because in the book, a beetle named Marvin is indirectly called on to copy the Dürer drawing in question. It represents Fortitude, one of the four cardinal virtues; the others (Prudence, Temperance, and Justice) have all been stolen, and the museum's plan to recover them involves a forgery, a theft, and an eleven-year-old boy named James.

Masterpiece is very much in the tradition of E.L. Konigsberg's From The Mixed-Up Files of Mrs. Basil E. Frankweiler, which might explain why I love it.  That book won the Newbery in 1967; and while Masterpiece didn't get any Newbery honors, it did win the E.B. White Read Aloud Award for Older Readers in 2009.

It's also illustrated, in pen-and-ink of course, by one of my favorites, Kelly Murphy (see the Beastologist books, among others).  This image, scanned from my hardcover copy of Masterpiece, shows James and his father looking at Dürer's drawing in a gallery at the Met.  Hanging next to it, in a more ornate frame, is Bellini's drawing of Fortitude, a real work of art on loan from the Getty.  And if you look closely, you can even see Marvin perched on James's shoulder.

Emily's Quest

The portrait of Elisabeth Bas featured in August's Middle Grade Gallery hangs by the fireplace in the Disappointed House, as furnished by Emily Starr and Dean Priest during their ill-fated engagement in Emily's Quest by L.M. Montgomery.  This is the third and final book in the Emily series, which isn't nearly as beloved as Montgomery's Anne series (or so I am forced to conclude, since no one guessed.  Members of the Emily Starr Fan Club, please leave a comment).

I didn't love Emily either, but I still like to reread the chapter of Emily's Quest dedicated to making over the Disappointed House (it's Chapter 9), inside and out.  Montgomery describes everything, from the wallpaper in the living-room ("shadowy grey with snowy pine branches over it") to Emily's great-grandmother's wedding china (willow-ware) to the brass chessy-cat door knocker on the front porch door.  And of course, the pictures:  Lady Giovanna, Mona Lisa...and Elisabeth Bas.

Spoiler alert:  Emily breaks off her engagement to Dean when she realizes that she still loves Teddy, and the Disappointed House is boarded up again.  But years later, Dean gives the deed to the house and all it contains to Emily as a wedding gift.  I can't imagine Emily and Teddy actually living there among Dean's things, but it's always been my House of Dreams.

Does anyone else remember the Disappointed House? Or, for that matter, Anne's House of Dreams (perhaps my favorite of the Anne books)?  Which would you prefer?