The Spotted Dog Last Seen

This will be a review (and giveaway!) of The Spotted Dog Last Seen by Jessica Scott Kerrin (Groundwood, 2013), but first, an anecdote: When we moved to Ann Arbor as newlywed graduate students, my husband and I lived in a tiny apartment at Observatory Lodge. The Lodge was a lovely old Tudor-style building, herringbone brick and half-timbered, with slate roofs and faulty wiring. It was also adjacent to the old Forest Hill Cemetery, and I sometimes walked through it on the way home. I never lingered long, though, and knowing more about cemeteries now I wish I could.

Derek is somewhat less excited about reporting for cemetery duty (his Grade 6 community service project) at Twillingate, or at the old stone library (a converted church) across the street where the cemetery brigade gives lessons in reading weathered marble, the meaning of gravestone carvings, how to take rubbings, etc. I find this sort of thing fascinating (eventually Derek and his friends Pascal and Merrilee do, too); and I wouldn't be surprised if young readers of The Spotted Dog Last Seen will want to explore the local cemetery themselves. If not, there is also a secret code, contained in mystery novels borrowed from the old library, and a time capsule in a school locker. This last holds clues that connect various people to the accidental death of Derek's friend seven years before--and may help Derek put his memories of that day to rest.

Warning: sad things happen. Someone dies (in addition to Derek's friend). But there is a satisfying resolution, for Derek and for the reader, who can piece together the clues along with him. There is also a supporting (and supportive) cast of characters to lighten the mood a bit, although The Spotted Dog Last Seen is still a somewhat serious and thought-provoking book, perfect for fall reading.

And just in time, I have a copy of The Spotted Dog Last Seen to give away! Please leave a comment and let me know if you think you (or a young reader you know) might like it, and I'll be happy to send it to you--with my recommendation, and thanks to Groundwood Books!

Kibuishi's Harry Potter Covers

What do you think of the new Harry Potter covers by Kazu Kibuishi, writer and artist of the graphic novel series AMULET? Now that all of the cover images have been released (they will be on trade paperbacks in September), it's easier to see what they have in common, and how they compare to the iconic American covers by Mary GrandPre. Kibuishi's covers--my favorite is still the first, for Sorceror's Stone, but I also like The Prisoner of Azkaban--tend to look more like full shots rather close-ups, and they're all outside. The back covers are indoors and, appropriately enough, of Harry's back--as he's looking into the Mirror of Erised, for example, or a cabinet full of boggarts. I like the image of Hogwarts made by the spines of all seven books in the box set, too: Kibuishi designed the whole package.

It's my understanding that the new editions will retain GrandPre's chapter art (also known as "decorations"), which is good news for people like me who love black-and-white illustrations in children's books and wish more of the newer ones had them.

Waiting on Wednesday: The Watchers in the Shadows

I'm waiting on not one but two books titled The Watcher in the Shadows this spring. The Watcher in the Shadows by Chris Moriarty, which comes out May 28 from Harcourt Children's Books, is the sequel to The Inquisitor's Apprentice (2011), an alternate--magical--history set in early-twentieth century New York City. I liked The Inquisitor's Apprentice lots (we shortlisted it for the Cybils that year), especially the representation of immigrant Jewish culture, and the line illustrations by Mark Edward Geyer: it was sort of like a fantasy/boy version of All-of-a-Kind family. Which is to say, not at all like All-of-a-Kind family, but with line illustrations.

The other Watcher in the Shadows is by Carlos Ruiz Zafón, who is probably more familiar as the author of the bestselling adult novel The Shadow of the Wind (trans. by Lucia Graves; Penguin, 2004) and its sequels. This is more of a gothic middle grade or YA, the third in a thematic trilogy originally published in the 1990s, in Spanish. It's set in a toymaker's mansion on the coast of Normandy in the 1930s: of course I'm going to read it. I read the first, The Prince of Mist (Little, Brown BFYR, 2010), in a cottage on the coast of Maine, as close to on location as it is possible to be this side of the Atlantic. The Watcher in the Shadows comes out June 18, so I will probably have to read it on the Metro.

The Mystery of the Fool and the Vanisher

It's as difficult to pin down The Mystery of the Fool and the Vanisher by David and Ruth Ellwand (Candlewick, 2008) as one imagines it would be to photograph a fairy (Cottingley fairies aside). Which is precisely what nineteenth-century photographer Isaac Wilde attempted to do while on an archaeological dig of a Neolithic flint mine somewhere in the English Downs. Wilde's account, transcribed from wax phonograph sound recordings, is documented here alongside photographs of the contents of a wooden box discovered by David Ellwand while walking on the Downs (in the footsteps, incidentally, of none other than Sir Arthur Conan Doyle); and framed by Ellwand's personal journal with additional notes from his photographic notebook.

All of this fails to capture the creepy gorgeousness of The Mystery of the Fool and the Vanisher, recommended to me by Zoe of Playing by the Book (via Myra of Gathering Books; thanks to you both!) because of my interest in manipulated photography and photographic processes--many of which (bromide, gold-toned albumen, gelatin silver, etc.) are represented in this book. According to the copyright page, however, the photographs were made "with necromancy and magic." And I'm inclined to believe it.

[All the more so because the book's website has disappeared. How long ago was 2008 in Internet years? You'll just have to take my word for it, or track down a copy for yourself (it's currently available for a bargain price on Amazon). Apart from the photographs, the artifacts are fascinating: my favorite are the spectacles with the lenses removed and replaced with holed flint stones. Or the mussel shell suit of armor.]