Captain Cat and the Count of Monte Cristo

There are lots of cats at sea this year, many of them on board the Carlotta in Captain Cat by Inga Moore (Candlewick, 2013). This is a rambling retelling (I mean that in the best possible way--I like a little rambling) of an Italian tale about a trader who arrives on an island overrun by rats only to be richly rewarded for his cargo of cats. Other traders follow, expecting more of the same, but in turn they are rewarded...with kittens! Moore's illustrations of captain and cats of all colors are charming, although I could have done without the neat rows of rat corpses lined up on the Royal Palace floor.

This is one of my favorite folktales: I first ran across it in The Thread of Life: Twelve Old Italian Tales retold by Domenico Vittorini and illustrated by Mary GrandPre (Running Press Kids, 1995). I was working on my own retelling, since abandoned, when Martha Hamilton and Mitch Weiss retold it as Priceless Gifts (illustrated by John Kanzler; August House, 2007). I wish everyone had better source notes for it, though (Hamilton and Weiss cite Vittorini, and Moore doesn't cite anyone at all). Apparently, islands overrun by rats are quite common in folktales.

And in real life, too: recently the island of Montecristo (see: Count of), in the Tuscan Archipelago, attempted to eradicate its population of black rats. Only now they use rat poison.

 It looks a lot like the rocky, remote island in Captain Cat, actually!

More Jonathan Bean: Big Snow

A little bonus post to go with Caldecott Hopefuls: Building Our House. This is Jonathan Bean's Big Snow (FSG, 2013), and the forecast is warm and cozy (there's cookie baking, but also bathroom cleaning, which one doesn't see so often in picture books), with occasional flurries and the exciting possibility, real or imagined, of big snow.

I don't have as much to say about Big Snow (although it is a perfectly fine book, exemplary even) as I did about Building Our House, which is really the point of this post: only one of these books feels like a Caldecott contender to me. Would comparing them help to articulate why that is? Or maybe I'm wrong and Bean will pull off another Klassen!

Caldecott Hopefuls: Building Our House

With a publication date of January 8, Building Our House by Jonathan Bean (FSG) might have been the very first Caldecott-eligible picture book I read in 2013. I had it in the house when my Mini Mock Caldecott Committee met later that month, and it was all I could do to resist sharing it with them. My fondness for Building Our House has only grown stronger with time, and this morning I had the pleasure of reading it again with my daughter, after she had a chance to discuss it at Caldecott Club (this one is run by her elementary school librarian).

Here's what we think: Part of what makes Building Our House such a satisfying book is the way it's made. As it should be, since the book itself is about building something to last. Everything from the trim size (taller than average) to the creamy, matte paper it's printed on speaks to this point. And the Author's Note includes vintage 1970s photographs of the Bean family at work on building their house, rounding out the reader's experience, too.

Of course, the illustrations themselves are full of satisfying details and subplots, continuity and change. There's also plenty to learn about construction, from setting the corners of the foundation by the North Star to machines and tools and good old-fashioned hard work. Check out Mom on the cover with a circular saw.

One thing we were curious about was the evergreen branch visible at the peak of the house on framing day (and for a few months after, until the cold rains fall). We did a little research: apparently, when the last beam is placed at the top of a building there is a ceremony called topping out--on skyscrapers, even!

I could go on and on (I sort of already have). Building Our House. It's our favorite.

[See Laying the Foundation for a Great Picture Book at Seven Impossible Things Before Breakfast for so.much.MORE. Thank you, Jules and Jonathan!]

Journey by Aaron Becker

Everything you've read or heard about Aaron Becker's Journey (Candlewick) is true: it's a magical, beautiful book, more than a little reminiscent of Harold and the Purple Crayon, with detailed illustrations done in watercolor and pen and ink. And wordless, like Barbara Lehman's The Red Book (HMH Books for Young Readers, 2004), with which it also has a lot in common: crossing oceans, finding friends.

My favorite spreads are the earlier ones, of a forest hung with fairy lights and Chinese lanterns, and of the glorious loch castle on the cover: I lingered there for a long time. Unfortunately for me, Journey doesn't. Instead, it takes to the air, and I'm not entirely on board with the steampunk airships and samurai soldiers--bad guys, ordered by their emperor to catch and cage a purple, phoenix-like bird. And keep it in a golden pagoda. Hmm.

Anyway, girl frees bird, bird rescues girl (there's a magic carpet of her own making involved), girl meets boy, the end. For now. It's still a magical, beautiful book, only not quite one for me.

You might love it, though. I really wanted to--just look at it!